Leonardo da Vinci: Model for Verrocchio's Renaissance masterpieces.
| Art Renaissance Art |
Updated By: History Editorial Network (HEN)
Published: | Updated:
3 min read
In the late 15th century, Andrea del Verrocchio created two significant works of art: a bronze statue of David and a painting called Tobias and the Angel. During this period, Leonardo da Vinci was an apprentice in Verrocchio's workshop. There is considerable speculation among art historians that Leonardo served as the model for David and the archangel Raphael in these works.
Andrea del Verrocchio's workshop in Florence was a training ground for many young artists. Leonardo’s involvement in this environment would have provided him with extensive experience in various artistic disciplines. The hypothesis that Leonardo was the model is supported by stylistic analyses and historical documentation, but remains unconfirmed.
The statue of David, now residing in the Museo Nazionale del Bargello, depicts a youthful, confident David who has triumphed over Goliath. Tobias and the Angel, held in the National Gallery in London, is noted for its detailed rendering and the tender relationship between the characters.
If Leonardo did indeed model for these works, it would suggest that his physical appearance and androgynous beauty influenced Verrocchio's art, reflecting the workshop's collaborative environment. Additionally, it would highlight an early example of Leonardo’s engagement and contribution to Renaissance art.
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