Picasso's "Olga in an Armchair": Transition from Cubism to Classical Style in Portraiture.
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Updated By: History Editorial Network (HEN)
Published:
4 min read
The painting titled "Painted Portrait d'Olga dans un fauteuil (Olga in an Armchair)" depicts Olga Khokhlova, a Russian ballet dancer and Pablo Picasso's first wife. This piece is significant in Pablo Picasso's artistic timeline, marking his transition from Cubism back to a more classical style. The portrait portrays Olga seated in an armchair, reflecting a sense of tranquility and poise, and showcasing Picasso's ability to capture personality and emotion despite adhering to a more traditional representation.
Olga Khokhlova played a pivotal role in Picasso's life during this period, both personally and artistically. Their union marked a phase in Picasso's work that was influenced by his engagement with more naturalistic and figurative elements. This was a departure from the abstract forms he was previously known for. The portrait of Olga embodies this evolution, standing testament to the interplay between his personal relationships and creativity.
This work is part of the extensive collection housed in the Musée Picasso located in Paris, a museum dedicated solely to the artist’s works. The museum offers insights into Picasso's diverse phases and the multifaceted nature of his art. "Olga in an Armchair," along with other works from this era, provides a window into Picasso's experimentation with varied artistic styles, his exploration of human form, and his response to the changing dynamics of the art world.
#MoofLife #Picasso #ArtHistory #OlgaKhokhlova #ClassicalPeriod #MuséePicasso
Primary Reference: File:Pablo Picasso, 1917-18, Portrait d'Olga dans un fauteuil (Olga ...

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